Flora
Reznik

Visual Artist & Filmmaker · The Hague, NL

Flora Reznik (AR, 1986) is a visual artist and filmmaker based in The Netherlands. Her practice is shaped by artistic research, and her projects are non medium bound: she makes films, installations, interdisciplinary events and publications.

Flora deals with issues of inheritance, identity, and archival materials. Her work is grounded in the relationships between landscape, history, and the body — exploring how physical space holds memory, how migration and colonization shape collective identity, and how geographical shifts carry enduring political meaning. Hoping to imagine new modes of memory and collective agency in the face of environmental crisis and enduring colonial infrastructures.

Collaboration and facilitating interdisciplinary learning is essential to her practice. From 2017 to 2021 she co-organized The Reading Room with Sissel Marie Tonn and Jonathan Reus. She is the artistic director and co-curator of the performative-symposium Unknown Grounds (2019 & 2022), and initiated the publication series “Script for a Synthetic Play,” published by Onomatopee Projects. She is currently part of Filmdak, a community-building initiative offering lens-based artists a space to share work in progress, exchange feedback, and organize workshops and artist talks. Her recent work has been made possible through the generous support of Video Power, an organization dedicated to process-driven filmmaking — experimental film, documentary, and video art — who produced her latest film Atlas María.

Born in Buenos Aires, she holds a Diploma in Philosophy (Universidad de Buenos Aires) and co-founded the Contemporary Arts Magazine CIA, directed by Roberto Jacoby. She studied at ArtScience Interfaculty, Royal Academy of Art, The Hague.