Script For A Synthetic Play
On (Un)Grounding Community And The Generative Power Of Fiction
Editor, contributor and Artistic director
Published in March 2022, Eindhoven, The Netherlands
Ground, foundation, land, landscape, territory, earth, soil, dirt, dust.
A staged conversation between a historian, an anthropologist, three artists, an earth eater and an architecture theorist: they enter unknown grounds, it is dark, and a disembodied alien voice encourages them to move across uneven terrain. A temporary community of strangers is formed. A sense of agency and belonging emerges, but also of marginality and dispossession. Hybrid voices start to circulate and be heard, borders of disciplines are blurred and grounds for certainty are collectively explored anew. Each step leaves sources for a unique script.
Script for a Synthetic Play delves into new world-making technologies, the need for refuge and infrastructures of care, human and land exhaustion and cultural and ecological challenges of today. Expertise meets experience in informal and approachable discussions that, stylized for dramatic effect, create a conversation piece in the form of a play activated by the generative power of fiction.
This book stems from the performative symposium “Unknown Grounds'' (Leeuwarden, 2019, supported by art initiative VHDG and Tresoar Frysk Histoarysk en Letterkundich Sintrum), and features a fictionalized version of transcripts of conversations that took place during the event by Nathaniel Feldmann, and a collection of texts written by Sissel Marie Tonn, Bert Looper, Andrej Radman, Theun Karelse, masharu, Bert Boekschoten and Flora Reznik.
HOLE
Available in Spanish and English.
Designed by Márton Kabai
Self published
2016
The Reading Room is an event series dedicated to creating a community-oriented, public platform for encounters with contemporary ideas on art and society. We gather to read of texts co-curated with our invited guests – cultural theorists, philosophers and curators – who join our diverse community in an open discussion while providing insight, context and perspective on the topics at hand.
The Reading Room is a joint cooperation between the artist-initiatives Platform for Thoughts in Motion and iii. It is curated by Sissel Marie Tonn, Jonathan Reus and Flora Reznik.
2017-2019
The edges of the voice Conversation with Sissel Marie Tonn, Flora Reznik, Aurélie Nyirabikali Lierman and Amelia Groom.
Post-Digital Publishing
Conversation with Florian Cramer, Joana Chicau, Sissel Marie Tonn, Jonathan Reus, Flora Reznik, Rebekka Kiesewetter and Alessandro Ludovico.
Radiant Matter
Conversation with Douglas Kahn, Flora Reznik and Jonathan Reus.
Ecologies of Existence (part 1)
Conversation with Christoph Brunner, Yvonne Volkart, Jonathan Reus, Flora Reznik and Sissel Marie Tonn.
Ecologies of Existence (part 2)
Conversation with Flora Reznik, Julia Bee, Sissel Marie Tonn, Christoph Brunner and Jonathan Reus.
Anarchival Practices (part 1) and (part2)
Conversation with Christoph Brunner, Alanna Thain, Nikki Forrest, Jonathan Reus, Flora Reznik and Sissel Marie Tonn.
In the thick of things (part 1) and (part 2)
Conversation with Flora Reznik, Andrej Radman, Sissel Marie Tonn, Lila Athanasiadou, Marcel Cobussen and Jonathan Reus.
Technologies of Survival (part 1) and (part 2)
Conversation with Nishant Shah, Jonathan Reus and Sissel Marie Tonn.
"Conversations with a Marxist - Zionist"
Compiles the complete conversations with my great uncle Pesaj Zaskin that were the starting point of my film Pervomaisk.
Self published
2018
CIA 2
Revista CIA – Contemporary arts magazine
Editorial platform of CIA (Center of Artistic Investigations)
Co-founder, Member of Editorial Board (2010-2013)
Director: Roberto Jacoby
Collaborator: "Usuariedad, ¿una nueva plusvalía?" - pp.220-228
Revista CIA – Contemporary arts magazine
Editorial platform of CIA (Center of Artistic Investigations)
Co-founder, Member of Editorial Board (2010-2013)
Director: Roberto Jacoby
Collaborator: "1000 máquinas" - pp.244-249
2011